THIS BUSINESS OF BEING A MODI ‘BHAKT’

I have been avoiding this issue as there is no sane way to speak about it which does not offend somebody. And being offended is a national pastime now. But it needs saying from a spiritual figure. Since none of the established gurus are doing it I am stepping up. So here goes. May Nataraja preserve me.

If you are a devout Hindu please do NOT say you are a bhakt of the Prime Minister. The word Bhakta is one of the greatest contributions of India’s spiritual culture. It represents an exalted consciousness and a path to mukti – liberation. It does NOT cover being an enthusiastic partisan of a politician. By using it in such a manner you have degraded and denigrated a great spiritual term.

You are NOT a bhakta. You are a partisan or a fan – which is the diminutive of fanatic. You are a chauvinist, after Nicholas Chauvin who adored Napoleon and refused to accept that Waterloo had taken place because – “The Emperor can never be defeated.” The word chauvinist has been ruined because the feminists overused it, but that crowd are all descendants of Bhasmasura so that is not surprising. Whatever they touch they befoul, but in the name of the Sanathana Dharma, why are you lending yourself to such besmirchment of bhakti? Without the spiritual effort needed, the requisite tapasya, you want the title for free?

One of the signature moves of the Breaking India forces is to demean and insult Hindu spiritual concepts as being nonsensiccal and trivial. In using the word bhakt in such a context you have handed them a crushing victory. You have fallen into a ditch they dug for you and the happiest people to see the use of this term will be the likes of Sagarika and her unspeakable husband, or the conversion agenda funded NGOS harridans like Trupti Deai and Teesta Setalvad. Evey sickularist and presstitute must be laughing their heads off every time they see this horrible usage in the mouths of their fiercest enemies.

Now this is not the same thing as picking up a insulting tag and wearing it as a badge of honor. When Hilary called Trump’s people Deplorable they reversed it in one day and made it a rallying cry. They took what was negative and made it a positive source of energy. When the word Bhakt is used in this careless unthinking manner you are taking a transcendental spiritual concept, a state of being that can liberate you, and dragging it through the mud and slime of party politics. That is unacceptable.

When this crowd began to chant “Har Har Modi” in the run up to 2014 it was to his eternal credit that he shut it down instantly. Quite apart from the trivialization of another spiritual chant there is a dangerous power in the phrase that would have devoured him. The chant is raised only in dire circumstances of war and actually it is ‘Hara Hara Mahadeva’ but it releases a certain sort of dangerous Power that is best left dormant unless the situation is critical. Fortunately he angrily instructed that such foolish demonstrations should cease and they did.

It is okay to be an admirer of somebody you think is a great man. When I saw him stand up to Vajpayee in 2002 who was mouthing liberal nonsense of ‘raj dharma’ I loved Modi instantly. I told everybody that this man was the future Prime Minister of India. This at a time when people doubted if he would get one year in the CM seat. Modi was the only success the Hindus had in the days of grahan that was the UPA calamity. So I get it, perhaps much more than most of you who clambered abroad the bandwagon only after his third term began. But your personal admiration does not trump the sanctity of sacred words or sacred concepts. So please stop this. Please cease describing yourselves as Modi bhakts. As Hindus you know better. You can and must do better.

Sarvam Shivamaym!

Sri Guru Rohit Arya is the founder of the Arya Yoga Sangha. He is a yogi of the Kundalini Patanjali streams  of Parampara and a Bhakta of Nataraja.

 

How service becomes virtue signalling

Have you noticed that when people start by speaking of their desire to do seva{service} it somehow, over time, becomes about their tyag and balidan {sacrifice}? There is a grim inevitability to this progression, almost like it is a natural part of aging or something. There is really only one answer to this virtue signalling. It is a rude answer but it is also true. “Nobody put a gun to your head and forced you. You choose to do this because it felt good. What do you want now, a medal?”
This is why I prefer the greedy and selfish. I don’t like them but I prefer them. They are transparent about their self interest, and there is no bear trap in waiting where suddenly you are expected to repay and reward virtuous actions of the past.
As a Guru I get a lot of this. People feel obliged to signal their disinterested virtue and desire to improve society. The moment I see the ‘Improvement’ strand in somebody I back away. That is how things are done in religious circles. Most organizations are held up by what is essentially slave labor, long hard hours of unpaid and unrecognized work but since it has cultural sanction, it is not seriously challenged. I consciously chose not to go that route knowing it would limit growth but I could not cast myself as a slave driver. Now I am virtue signalling! But I have never blathered about seva so I can risk it.
I freely confess I was shattered and disheartened when Narendra Modi of all people, got onto the moral high horse of sacrifices made. It completely demoralized me. Then I became angry. How dare he pull this stunt on us? If this is so important to you then take a leaf out of Nehru’s book and give yourself an award. But dont make such undignified exhibitions in public. This is the Congress playbook and we, quite reasonably, expected different from him. My personal take is that working between 14 to 18 hours a day or whatever the myth making number so beloved of fans, has left him with very little time to do serious sadhana. He probably got into the ‘this is karma yoga’ mindset. This man who was the most hard nosed and unshakeable personality is now weeping copiously at every opportunity, One RSS person complained to me about this new sentimentality on display and my answer was a} why tell me? and b} check out if the weeping fits occur on days near Pournami, the full moon. Of course they do. Modi had the karmic potential to become a liberated soul but this time round it has settled for being a great ruler. That happens in yoga all the time.
Now the point of this post is not our PM. I still think he is the best man we have – even if I think he has made a catastrophic blunder. So the fanboys and fangirls may please spare me their ululations and ignorant enthusiasms designed to bring me into the light. I do not abide sanctimony from anybody.

Sri Guru Rohit Arya is the founder of the Arya Yoga Sangha – a Kundalini based system of the Integral{Arya} Yoga. He is a Yogi, Author and Polymath.

Ashwini Kumara – the Swift Gods of Light

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The Ashwinis seem to be the most energetically joyful of all the gods known to man. They hurtle through the cosmos in a dizzying effervescence of joy. They are the lords of speed, the swift rivers, the falcons of light, the riders of the fleet horse, agile and brilliant as Rig Veda says.  Speed is their keynote.  They bounce off the walls of heaven with a rush of energy, like young colts.  They are the most dazzlingly handsome personages in the universe, and they know it – ‘swift footed lords of bliss, much enjoying’. Later stories would elaborate on them as sensual gods. In some versions they marry jointly, Savitri the daughter of Surya the Sun God.  She was nominally supposed to marry Soma, lord of the moon and the sacred drink, but the Ashwins were much more handsome and cut a spectacular dash!  Other myths tell that they married the ten rays of the Sun, Surya’s daughters … But they had no time to lech like other gods.  Savitri was the only one who could keep up with their rapidity.

The Ashwini twins are Vedic gods who were once held in high esteem but have been all but forgotten. They were however, the prototype for the notion of Kumara the eternal youth, which is how both Skanda and the Buddha would be represented in future sculpture. AS healers they were emerged into Dhanwantri later.

“It is known to a few, that the Awhwinis were the first physicians, doctors to humanity as well as the gods.  They were one of many Solar deities in the Vedas; many of their attributes were taken over by Vishnu when his cult by a process of osmosis, engulfed all the solar gods in his vast embrace

“The Ashwins were not effete dandies, careering across the cosmos in solar powered Ferraris.  They were that rarest of heroes, intellectuals who could act decisively and swiftly. They were described as ‘effectual in action, the powers of movement, fierce-moving in their paths:  they embodied the Samurai dictum – ‘to think and to act are one and the same‘.  They are the power of movement itself, so speedy and firm were they perceived to be. They used their great knowledge to help the gods – which was appreciated – and also to alleviate the sufferings of Humanity – which was not. Like Prometheus they had to face an angry Indra, leader of the gods, who punished them by depriving them of the right to drink the sacred Soma, which conferred strength and immortality on the gods. Soma was only too pleased; they had cost him a wife. However, the angry gods could not punish the Ashwins – they moved too fast to be caught, and they were no pushovers. Nobody knew the extent of their strength, nor wished to risk finding out.

“The Ashwins did not care too much about being excluded from the sacred drink.  They were caught up in their experiments and always on the move, as an active life principle. They made an iron leg for the warrior named Vispala who lost his in battle.  They were physicians and worked tirelessly at their craft.  The jealous humans said they had forfeited divine honours by associating too much with humans!  In later medieval times, the physician’s job was regarded as greatly polluting as it interfered with the evil Karma which produced the disease – a cruel doctrine. It is greatly to the Ashwins’ credit that they chose compassion over the approbation of their fellows, and continued to do what they had always done. They healed countless numbers of the lame, and restored sight to many who were blind – an apt action for the Lords of the Light.  The similarities with events in Palestine many thousands of years later are also obvious.  One of the Ashwins’ most coveted boons was to restore youth and vigour to the aged and decrepit. That might explain why they did not need the Soma like the other gods did.

“The Rishi Chyavana was old, feeble and ugly. Constant immersion in meditation had covered his body with vegetation until an anthill arose around him. The beautiful Sukanya thought his still visible eyes were glow-worms and poked them out with a stick, to capture them. Instantly the people of that region were cursed with terrible pain; the only way out of this was to marry her off to the sage she had wronged.  Sukanya accepted the grotesque situation as being fair – the blind sage needed someone to care for him. One day however, at the riverbank (a liminal, threshold site) Sukanya observed the Ashwinis frolicking in the water, and sighed for her lack of such joys.

“The Twins had a rare moment of lust, and propositioned her, confident in their youth and beauty. But she rebuked them severely and abashed them.  Yet they still had their hats in the ring, and offered to cure her husband of blindness and senility, and give him a handsome form like their own.  This was the catch: she must pick out her husband correctly from the identical trio, or agree to go with them.  Sukanya consulted her husband who decided to teach the presumptuous gods that he may be old and blind, but did not become a rishi for nothing.  When they emerged from the water in which the gods dipped the old man, she instantly recognised her husband through his instructions; the gods do not blink, sweat, cast shadows or leave footprints – and the human was easily found out.

“The Twins were sporting about it, and Chyavana, grateful for his rejuvenation, instructed them in an esoteric part of the Vedic sacrifice that even the gods had forgotten.  Armed with this new knowledge, the Ashwinis marched back into the divine company and traded off the right to drink Soma for this new rite in the fire sacrifice.  They came full circle – rejected for their love of humanity and restored by it too.

“Some have mistakenly translated their name to be Horsemen, from Ashwa the horse they ride. The horse as a symbol of prana indicates the Ashwinis’ perfect control over the breath, as well as their dazzling speed. The word Ashwini is derived from a root word which means ‘to fill everything’. One of the twins pervades the universe with Light, the other with Moisture – another indication that they were proto-Vishnu, ‘he that pervades’.

“In another story, they rescued a great sage from a flood that threatened to drown his learned life. The Ashwins sent him a log to clamber up onto and float around until realising who was responsible for this providential intervention.  Then they appeared before him, blessed him and instructed him in spiritual matters.

The Twins were heralds of the dawn, lords of the fleetingly transient state between night and dawn, again an attribute of their great speed. This places them firmly as liminal or threshold deities, guardians of sacred and rare times when higher levels of consciousness may be accessed.  This peculiar aspect of their potency is acknowledged in verses where the Ashwinis are addressed as the children of the sun, of the earth, of the waters, and even as sons of the submarine fire.  All are conjunctions, especially the horizon where one space interacts with another, forming a natural threshold, and are key areas for the Ashwini to act.  They are the great facilitators of transition, but only to the Light.  They simply do not have the time for anything else.

They give that impelling energy for the great work which, having for its nature and substance the light of the Truth, carries man beyond the darkness.

“The Ashwinis represent a glorious phase of Indian culture, and there are very few gods who are so reverberant with light. They are action incarnate, joyful graspers of life and laughter, quick to act and determined in their courses, intelligent and compassionate. The thrill they get out of being alive, is magnificent; it is a great pity that India has lost the ability to be in sympathy with such an exultant use of talent, ability and power. This is life lived to the fullest, to delight in action and glory in the mind … ‘Take joy in the Word, the holders in the intellect, by the luminously energetic thought’ …

“It was a sad time when India forsook the speedy gods of Light for more sedate worship.

“In the Vedic constellations, the Ashwins are in Aries, the sign of the New.

Sri Guru Rohit Arya is a Yogi , Author and Polymath, being a Spiritual Mentor, a writer, a corporate trainer, a mythologist and a vibrant speaker. He has written the first book on Vaastu to be published in the West, {translated into five European languages} the first book on Tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He was the Editor of The Leadership Review, and on the advisory panel of Indiayogi.com, the first spiritual portal in the country. Currently he is the Director of Pro-Factor, a leadership and change facilitation corporate training outfit. He has been an arts critic and socio-cultural commentator for over two decades. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. He founded the Arya Yoga Sangha in 2013 and leads multiple meditation circles each week.

He can be contacted on Facebook at

https://www.facebook.com/aryayogi/

The videos of his talks on various subjects can be found here http://www.youtube.com/user/TheAryayogi

His blogs can be accessed here

https://aryayogi.wordpress.com/

http://actpersistintensify.wordpress.com/

http://creativeaye.wordpress.com/

http://zestandgrit.wordpress.com/

Where Karma dies in the seed – Perur Pateeshwara Shiva temple

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A kshetram so powerful in dissolving karma that the sacred tamarind tree has seeds that do not sprout. The Perur Shiva temple near Coimbatore city in Tamil Nadu has sculptural marvels and is an unknown treasure for yogis. The Shivalingam is svambhu and of a quality and vibrational energy that is distinct and somewhat strange until you realize what it is doing… stilling the constant movement of karmic potential.  This temple is called Melai Chidambaram or Chidambaram of the West and while it may not match the peerless kshetram of Chidambaram it is of immense value in itself.

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Elaborate carving everywhere though the current structure seems to be of late Nayak period… 17 century or so

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Part of the Sthala Purana, Kamadhenu the divine cow worshiped a Shiva lingam inside an anthill hoping to become the next Brahma. Why she wanted such a thankless job is never revealed in the story. Her calf, annoyed at being neglected kicked over the anthill. Kamadhenu was appalled at this act but Shiva being Shiva was deeply amused and granted her a slew of wishes plus bonus blessings for mere mortals who visit the site. Our temples are always generous in the matters.

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It is the Kanaga Sabhai, the hall of Nataraja that is the stunning aspect of this temple. I had thought that the Elephanta caves Shivas were the pinnacle of Shaivaite art but something was left in the toolbox yet and this miracle of sculpture emerged. 8 larger than life murtis, part of the stone itself… just astonishing… or they would be were they not locked up behind ugly cages now.

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This comfort with the unaesthetic and ugly is a strange aspect of modern Hindusim…

the Kanaga Sabhai was built in 34 years, from 1625 to 1649 by the architect Kambanarchari… under the patronage of the Nayak kings. it is a deeply symbolic structure… suffused with Shaivaite theology…

The Kanaga Sabhai has 36 Pillars representing the 36 tenets of Saiva Sidhanta. There are fifteen steps situated at three different levels. Each set of five steps represents the Panchakshara –  the five letters of the sacred Mantra of Shiva, “Om Na Ma Shivaya” The garbha griha of Nataraja has four pillars representing the four Vedas…Nine windows stand for the nine grahas or celestial objects of Hindu thought and also the nine dvaras or openings of the human body. As explained before the temple is deemed to be capable of granting liberation from karmic influence. It is interesting to note that the Dhayana lingam created by Jaggi Vasudev at the Isha foundation which is about 20 kms from Perur is also supposed to plant a seed of liberation within you, which dries up all other karmic seeds. Must be something about Coimbatore that helps to drop karma….

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Nrithya Ganapati, the dancing form

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Urdhava Tandava murti, an esoteric aspect of Nataraja and his 108 karanas

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One of the most brilliant interpretations of Bhadrakali ever seen

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Skanda of the six faces, his sixth face is inside the pillar

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Veerabhadra in his wrath at the Daksha Yagya

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Old illustration showing Veerabhadra and also a rare form of Agni Veerabahdra, the one one the right

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the pics are sourced from the net as permission to shoot is a huge huge pain

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Bhikshantana moorti… Shiva as the nude yogi…it is also Interestingly called the Sarva Loka vaseekara murti, the enchanter of all the Worlds

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19th or early 20th century photograph, of veerabhadra… it now needs protection in a cage, such is so called progress

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Gajasamhara murti, just extraordinary in its power

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A senseless practice that the ASI of Tami Nadu is addicted to , slathering all murtis in the name of protection and making them dreadfully ugly and even shapeless

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Another old illustration

The Great Gorakshanth is also supposed to have spent significant time at this temple. His spot is a grove and is unmistakable in its fierceness. I have said this many times before, but the yogis and temples of South India are beyond belief, they actually succeeded in making a kshetram of the whole land. Today the consecrated space has fragmented but even spots remain for those who are serious about their yoga…

Sarvam Shivamayam!

Sri Guru Rohit Arya is a Yogi , Author and Polymath, being a Spiritual Mentor, a writer, a corporate trainer, a mythologist and a vibrant speaker. He has written the first book on Vaastu to be published in the West, {translated into five European languages} the first book on Tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He was the Editor of The Leadership Review, and on the advisory panel of Indiayogi.com, the first spiritual portal in the country. Currently he is the Director of Pro-Factor, a leadership and change facilitation corporate training outfit. He has been an arts critic and socio-cultural commentator for over two decades. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. He founded the Arya Yoga Sangha in 2013 and leads multiple meditation circles each week.

The videos of his talks on various subjects can be found here http://www.youtube.com/user/TheAryayogi

His blogs can be accessed here

https://aryayogi.wordpress.com/

http://actpersistintensify.wordpress.com/

http://creativeaye.wordpress.com/

http://zestandgrit.wordpress.com/

Bheesma Pitamaha is a very odd kettle of fish

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The founding story officially designated to be the reason for the catastrophe of Mahabharatha war has always struck me as peculiar. It makes no sense in an epic that is otherwise relentlessly accurate about human behavior. Consider the scenario – the young prince Devavratha finds his aging father has fallen in love with a fisher girl, whose father is withholding consent to the union. The old coot wants his grandson to be the next in line instead of Devavratha, and the crown prince not only renounces his claim, he swears eternal celibacy so that his children will not fight his step mother’s children. This Bheehma Pratigya – Terrible Vow – gives him a new name and a shower of blessings from the gods and his father. There is only one problem with this narrative. It is hugely improbable.

Consider who Bheehma was – son of the goddess Ganga and the foremost badass of his time. He held his invincible guru Parashurama to a draw in battle– and that avatar of Vishnu had wiped out 21 generations of Kshatriyas – so the scale of the achievement is staggering. Yet this man, widely acknowledged to be the most accomplished nobleman in eons, has a peculiar fixation on facilitating his father’s sex life. It is beyond creepy – it is such an incongruous note in all of Sanskrit literature. What guilt was he assuaging, if any? This thunderous haste to foreswear marriage and procreation, it never raised eyebrows? India has a superstitious obsession, to the point of delusion, about the supposed virtues of brahmacharya or voluntary celibacy. So Bheeshma has always been held as an exemplar instead of as a crank. There are natural celibates – Tesla, Newton and Vivekananda to name just three. It is not impossible, just rare. But Devavratha was always in line to marry and be fruitful. A fiery prince like him, when a smarmy fisherman is pushing his luck, is more apt to draw his sword and gut the fool rather than keep conceding point after point in this incredible manner. What exactly is going on?

He kidnaps the princesses Amba, Ambika and Ambalika to marry his half brother. Amba loves another man so he lets her go but that guy refuses to accept her. She gets his Guru Parashurama to order him to marry her and he refuses. He refuses!!! The man who is the pinnacle of the culture breaks its cardinal rule, obedience to the guru. Bheeshma fights his guru rather than obey – he knows his guru is the Avatar and he still refuses to obey! This is just about the most insane episode in Sanskrit literature and nobody sees it for the sheer magnitude of crazy it is. Again what the hell is going on?

Then years later, his half brother Vichitravirya dies without any princes to succeed. His stepmother Satyavati suggests he perform niyoga and beget princes upon his brother’s widows, a sort of Indian version of levirate, and he recoils again as if pushed into a snake pit. He had no problems attending the swayamvara of the princesses and beating all the assembled princes of India to win them for his brother but this gives him the willies. Satyavati turns to her older son, the Rishi Veda Vyasa, and he, a rishi no less, does not launch into lectures about brahmacharya but gets on with it. I think that is just superb. Our rishis were all sexually active men – and women. It is only now that this forcible celibacy is thrust upon them with the usual consequences. When one of the princesses, repulsed by his ugliness, substitutes her maidservant, Vyasa takes this unexpected bonus in stride with splendid insouciance. The child born of that was Vidura, the wisest man of his time. Years later Dhiritharastra also had a dalliance with a servant and that child was Yututsu who was the most decent of all the Kauravas and even fought on the Pandava side and ended up ruling as regent too. {Exactly how superior were the daasis of the time that they ended up having the virtuous and great children is another matter.}

To return to Bheeshma, this peculiar behavior he displays has another possible interpretation. He batted, shall we say, for the other team? Occam’s Razor – when a simple explanation exists that covers the known facts it is futile to keep creating fanciful explanations. Given what we know of the Greeks and the Samurai it is actually more psychologically plausible than all the vows and brahmacharya insistence. I do not insist upon it – it merely needs to be considered. Otherwise, from a cultural, even a spiritual context, his actions are completely weird.

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Everybody acts in the Mahabharata from motives that are completely clear; Bheeshma alone is perplexing. His supposed inflexibility on ethics did not extend to personal destitution in old age for doing the right thing. He admits as such to Yudhishtara on the ninth night of the war – “Eunuch like, I blabber, but Drona, Kripacharya and I have to repay the food we ate in comfort when we were with the Kauravas.” Now that is the real authentic note of the epic, human concerns, human weaknesses, not this queer unrelenting insistence on a strange vow nobody, least of all his father, had asked him to take.

Rohit Arya is a Yogi , Author and Polymath, being a Spiritual Mentor, a writer, a corporate trainer, a mythologist and a vibrant speaker. He has written the first book on Vaastu to be published in the West, {translated into five European languages} the first book on Tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He was the Editor of The Leadership Review, and on the advisory panel of Indiayogi.com, the first spiritual portal in the country. Currently he is the Director of Pro-Factor, a leadership and change facilitation corporate training outfit. He has been an arts critic and socio-cultural commentator for over two decades. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. He founded the Arya Yoga Sangha in 2013 and leads multiple meditation circles each week.

The videos of his talks on various subjects can be found here http://www.youtube.com/user/TheAryayogi

His blogs can be accessed here

https://aryayogi.wordpress.com/

http://actpersistintensify.wordpress.com/

http://creativeaye.wordpress.com/

http://zestandgrit.wordpress.com/

Ekapada Shiva – an unusual Yogic form

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A Shiva with only one foot, replicating a Lingam shape, sometimes with Vishnu and Brahma emerging from him, the Ekapada Shiva is one of the most striking creations of the Yogic aspect of working with forms. It has a Tantric variant also, found in Shakti temples, where he is more Bhairava than Shiva, and which may provide a clue as to the sadhana aspects of such a rupa. For the Yogis used to create devatas in specific rupam for very precise reasons, to help in particular types of transformations of consciousness. It is perhaps not particularly co-incidental that this form of complete stillness is most widely seen in the same areas where Shiva is also known as the Nataraja, the Lord of the Dance.

 

 

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I am not particularly concerned with the historical development of this rare form. The details can be found here. http://en.wikipedia.org/wiki/Ekapada.

My concern is why Shiva Nataraja would be depicted in such a manner. There had to be very good reasons indeed at a time when sectarian abuse of each others devatas was rampant and such a form was so easily open to  perjorative interpretations. Swami Vivekananda was the first modern Hindu to speak up against western psycho-sexual interpretations of the Lingam as a phallus alone – a process the West is still addicted to, ref Wendy Doniger.  He clearly stated that the lingam was the Yupa Stambha, the central pillar present in all yagnas, representative of the Axis Mundi, which in Yogic terms is the spine up which the kundalini travels. The energy body of a high level yogi automatically arranges itself into a lingam shape; it is incredibly stable as a side effect. Such forms are anthropomorphic representations of that yogic insight, rather like the mukha lingams, lingams with faces on them which would be a difficult task if they represented the phallus.

 

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Another form of Shiva also has this lingam like shape and is associated with Brahma and Vishnu. That is the famous Pillar of Fire Shiva, Lingodbhava ,which is an interesting name in itself. The bhava is the sensation, the vibration, the perception, the feeling. The bhava of a lingam is shown in forms that devotion creates.  [while also taking the opportunity to put down the worshippers of Brahama and Vishnu- sectarianism was always a reality.} The Ekapada implies stillness lack of movement, rather like the forms of the Jain tirthankaras, who according to some schools, freeze into these still forms after final attainment, for even the smallest movement is karma and they are free of that taint! The area where the Ekapada is found, South India, Rajasthan Orissa were very much the catchment area of Jainsim too and the theological idea must have been well known to all of them.

 

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There is certainly an aspect of asserting superiority over other sects in this Ekapada form. Or an attempt to assimilate them. Both processes could have gone on simultaneously. But the Tantric shrines where Bhairava is in Ekapada form shows that the process could flow the other way also. . We are told that it originates in the obscure Vedic deity Aja Ekapada which may be true. The yogic sandhana roots seem clear once we read that Aja Ekapada  – The unborn one footed – was almost always associated with Ahi Budhnya – the serpent of the ocean – so much so they were thought to be twin or the same god. This is formless consciousness associated with the creatrix serpent of the kundalini. So the roots are clear for those who know how to see it.

 

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The single form Ekapada {Vishnu and Brahma  attached is also called Tripada} is almost always associated with attendants who are tapasvis, so it is a hard sadhana aspect of Yoga. The unusual rigidity and stillness of the form is also a clue, this is like shambhavi mudra practice, where everything is stilled, every sensation, every external and internal input is stopped, and the experience of inner akasha is allowed. Brahma and Vishnu, creating and ongoing aspects have to be stilled to experience the essence of consciousness that is Shiva. At least that is what arose in my understanding and my samyama on these things is usually pretty accurate. I do not urge this conclusion upon anybody, it is my insight. The yogis of South India used to create rupams all the time and the clues as to the purpose of so doing were always available for those who meditated upon them. I am reasonably sure I am on the right track here!

 

 

Sarvam Shivamayam!

 

 

Rohit Arya is an Author, Yogi and Polymath, being a writer, a corporate trainer, a mythologist and a vibrant speaker.  He has written the first book on Vaastu to be published in the West, {translated into five European languages} the first book on Tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He was the Editor of The Leadership Review, and on the advisory panel of Indiayogi.com, the first spiritual portal in the country. Currently he is the Director of Pro-Factor, a leadership and change facilitation corporate training outfit. He has been an arts critic and socio-cultural commentator for over two decades. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. He founded the Arya Yoga Sangha and leads multiple meditation circles each week.

 

The videos of his talks on various subjects can be found here http://www.youtube.com/user/TheAryayogi

 

His blogs can be accessed here

 

https://aryayogi.wordpress.com/

 

http://actpersistintensify.wordpress.com/

 

http://creativeaye.wordpress.com/

http://zestandgrit.wordpress.com/

The Ambarnath temple a forlorn jewel

IMG_1018

India has too many great temples. Architectural genius has been recklessly expended out over the years. The Ambarnath temple, so close to Mumbai, {in Thane district and at the end of the old central line of the local trains,} is completely neglected. What other explanation can there be? In another country this would have been a center piece of tourism. With Elephanta close to the city and Ajanta Ellora taking up all the press, this temple, which rivals anything Mount Abu could offer, sits glumly next to a polluted stream. Perhaps that is also good, the ubiquitous crowds of India are mercifully absent. But it is still regretful…

 

silhara ambarnath temple

 

One goes down into the garba griha to worship the lingam, the usual story perhaps of svyamabhu – self manifest – lingams having temples constructed around them. It also feels a bit like Pataleshwar cave temple in Pune city, so the descent into the earth was perhaps part of the design and was based on tattva shuddi considerations. It is a lingam in worship, but that is about all that can really be said about it. It is for aesthetic and cultural reasons that one comes not spiritual ones. This temple in the hollow beside a hill with a stream flowing by is an ancient template in the Agama Shastras the texts for building so this is very classical indeed. Built in the Golden Age of mythological Hinduism, 1060 CE, when the faith was riding high and invasions and destruction only a nightmare yet to arrive, it is a little marvel in soft stone.

 

 IMG_1032

 

 

As in most ancient temples in my state of Maharashtra it is neither purely Northern style nor Dravidan style but an eclectic and creative mix of the two. Technically it is the Hemadpanthi variant of the Vesara school of architecture named after a great patron, Prime Minister of the Devagiri kings who reigned over much of this part of India. The temple seeks to cram in as much sculpture as is humanly possible so they fluted or corrugated the outer wall, more than doubling available wall space for the classic relief sculpture of Indian temples representing the principle of Vyapta-Ayapta, manifest – unmanifest, a yogic concept that holds the universe and the gods are constantly emerging out of and merging back into primordial Consciousness. It is the reason sculptures are rarely 3 dimensional in our temples. The universe is Flux, and Time blurs everything.  The central tala or unit of measurement is also classic, humans 5 to 7, devas and so forth more than that, caryatid dwarfs and so one less than 5. In that sense this is not an experimental temple, but one that functions within well established conventions of sacred architecture.

 

roof shiva dance

 

But only the Hoyasala temples and Mount Abu can match the sheer profusion of sculpture. You have to look at it rather like entering a forest. You have to sit still and gaze, and slowly the magnificence of the detail becomes clear as the eye grows habituated to so much detail. The Kirtimukhas tucked away on an higher level, visible but not conspicuous, placed for pragmatic not aesthetic reasons are one such delightful touch and of course the famous dancing Shiva on the roof level. The myths are the standard ones, with all the gods represented, though it is natural that they give prominence to Shiva. There are many bhairavas, even a Hari-Hara, and an unusual Narasimha using a dagger to kill Hiranyakahipu not his claws! Apsaras and other fertility symbols are  up to the usual complement in such temples.

panel

There is a really beautiful Gajasura moksha tandava panel that is unfortunately damaged now but is as good as the one in the famous Shiva temple at Ramappa near Warrangal in Andra Pradesh. The problem as I see it is that all the works here are of such uniformly high standard that they tend to be subconsciously devalued. This temple is so much better in every way than the incredibly overrated shore temple at Mahabalipuram but that gets the World Heritage status for location and visual appeal alone! Well at least it is still in worship and some rudimentary repairs have been done – that is more than most ancient temples get today. But such a jewel… and such neglect…

 

Sarvam Shivamayam!!

 

 

Rohit Arya is an Author, Yogi and Polymath, being a writer, a corporate trainer, a mythologist and a vibrant speaker.  He has written the first book on Vaastu to be published in the West, {translated into five European languages} the first book on Tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He was the Editor of The Leadership Review, and on the advisory panel of Indiayogi.com, the first spiritual portal in the country. Currently he is the Director of Pro-Factor, a leadership and change facilitation corporate training outfit. He has been an arts critic and socio-cultural commentator for over two decades. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. He founded the Arya Yoga Sangha and leads multiple meditation circles each week.

 

The videos of his talks on various subjects can be found here http://www.youtube.com/user/TheAryayogi

 

His blogs can be accessed here

 

https://aryayogi.wordpress.com/

 

http://actpersistintensify.wordpress.com/

 

http://creativeaye.wordpress.com/

 

http://zestandgrit.wordpress.com/